Did you ever watch a movie and think to yourself “I wonder if severed horseheads played any role in casting decisions?” Probably not, unless the movie in question is 1953’s From Here to Eternity.
From Here to Eternity is the story of several career soldiers in an infantry company stationed in Hawaii during the last days before American involvement in World War II. There is tough First Sergeant Warren (Lancaster), Private Prewitt (Clift), a bugler and former boxer, and his friend Private Maggio (Sinatra). As the company’s commanding officer Captain Holmes has little interest in the company other than as his personal boxing stable for inter-regimental matches; Warren is the person actually running the unit. Noticing that Holmes likewise neglects his wife Karen (Kerr), the first sergeant takes over in that department, too. Meanwhile, Prewitt – a middleweight boxer of some renown – has transferred into the company. Holmes is disappointed when Prewitt states his refusal to box – having blinded a friend in a sparring accident – leading the captain to push the company NCOs to harass him into boxing again. Between punishments, he falls for Lorene (Reed), whom the movie doesn’t specifically identify as a prostitute, but let’s not be stupid.
Perhaps I was stupid – I honestly didn’t assume she was a prostitute. I thought Lorene just kept the company of men, got paid to do so, and gave them the illusion of a relationship without much effort on their parts. Reflecting now, though, I imagine Mouse is right here. I had the criticism of this film that I do of most, especially from this era – the two main women characters were not fully realized or well developed. Karen seemed to have quite a backstory – the loss of a baby, ostensibly coinciding with a neglectful husband, a sexless marriage, and a prior extramartial lover. She seems to hold a sadness that is deep, but we don’t hear enough about what she thinks and feels for my liking. Continue reading